La Timmy gave his best as usual and set the mood a notch higher with his upbeat sounds.Meanwhile, Boogie Sid took the crowd way back with a set reminiscent of the early 2000s. Robbie Rob and Brando also gave a fun set that had dancing along. Meanwhile, Sjava’s performance was quite tepid.
He didn’t seem excited to be on stage and his performance was bland from start to finish. Han C on the other hand was a fireball of energy and set the pace, proving that local is truly lekker. The Sedilaka star belted out in tune while also gyrating madly as if his life depended on it. Many sang along to his hits Mafura fura and Se-ileng.
South African rapper Nasty C also held his own fort and although his performance was nothing to write home about, he seemingly gave his fans their money’s worth as they cheered wildly. The Hell No hitmaker saved the popular song for last and everyone sang along to the jam with a catchy hook.
Another energetic performer was Master KG who has been making waves recently. His unique sound, a mix of kwaito, mosakaso had many wiggling and jiggling as if they have ants in their pants. The Situation and Skeleton hitmaker and his dancers churned infectious dance moves throughout their performance.
Meanwhile, Lady Zamar churned hits such as Collide, Criminal, Charlotte and My Baby among others, as she showed off her well-choreographed dance moves. Prince Kaybee was in his usual element and while it was not his best night, most revellers enjoyed the house tunes, especially the hit Club Controller, which can make even the most uptight person lose their morals and hump and bump in the air.
One of the revellers Tshidiso Mokaila said she had enjoyed the concert. “It was chilly but the whole show was well-organised, from the sound to security. It was my first time here and I had the time of my life. I will definitely come again next year,” she said. Another reveller who only identified himself as Tshepo said that the popularity of the bash seemed to be declining but said he was impressed that the organisers had beefed up security this time around.
“We had fun knowing that our cars are safe. The performances were just OK but I think that the no cooler box policy turned off many people especially as there was only one beer on sale and no ciders.” The MCs for the night Loungo, Sadi and Somizi did a sterling job and kept revellers in a party mood. While the previous editions were much better than this year’s instalment, there were few incidents this time around. Revellers let their hair down and partied the night away until the wee hours of the morning.
KUX DROPS LEFATSHE LENO
Hip-hop artist Kux has dropped a single dubbed Lefatshe leno, out of his latest EP titled That’s Me. The song is currently on high rotation on local radio stations and notable music platforms. In an interview with Vibe this week, Kuk said that he was pleased with the positive feedback to the song.
Born Kutlwano Kabelo Mokgatla in Selebi-Phikwe, 31-year-old Moshupa native, is also a composer and writer. He started his solo career in 1999. His first solo track, I Kicks It, was recorded by Young Sluggz and produced by Motswako Makaveli. He was still schooling in Johannesburg, South Africa then, and it was during this time that he got to interact with the likes of Zeus, KB and Samba T who he says are still some of his inspirations in the local music industry.
He recorded his second song Huskey with Loso and Lunatic in 2010. Lif Aman, produced by Skywalker Productions, recorded the song at Bazamele Records. In 2012 he put together a mix tape and worked with QBio and Uzzi among others. Last year he linked with GreedySkillz, which resulted in the introduction of long-time producer Lil Boi and signed onto his label Fiendz Music Records. “That is when we decided to fuse and create a dynamic apply named Motswako Palamente,” he recalls. Their track Shots played on Yarona FM for the first time in 2013. In 2014 he worked on a new EP titled L.I.F.E.S.T.Y.L.E ya mrepa.
The first single, Campus, featuring Saxxx, was released online and was downloaded more than a thousand times, and also featured on Yarona FM Hip hop show Headspace. In 2015 he recorded his second single Cough It Up featuring Jinx and Swazi Block. In 2016 he linked with Lanie and recorded and released a cover song titled R.I.C.O. originally done by Drake and Meek Mill, which raised heads for both of them. He later dropped his second mixtape, Phapha, which dropped later that same year. To wrap things up, he dropped BluChampagne. In 2017 he featured on Free, another single off Jinx mixtape. In 2018 he shot the video for BluChampagne and recorded a follow-up single titled CBD later the same year.
He says that he is working on more music individually and also wants to collaborate with local artists such as Apollo and Loosecat among others. He said he chose artists who he admires and has a strong following as this would also give him the vantage to extend into their markets. Kux also said that he is working towards a full studio album. He said he has international appeal and wants to create a brand that will be competitive globally.
“I dream of more than local awards…I aspire to clinch MTV and Grammy awards.” Earlier this year Kux was signed to Exclusive Media, which handles publishing, recording, vocal mixing mastering, recording, brand development, show outsourcing and general management. His management team explained that they are working hard to create a brand out of Kux and subsequently attract endorsements for him.
They said they had collaborated with several youth owned companies to help them build capacity and create seamless solid brands. “Through Exclusive Media, we have also created platforms for young artists, particularly those who are upcoming, to not only show them the ropes but also help them elevate their careers.”
MARUATONA PUBLISHES ABSTRAXTION BOOK
Oarabile Omaru Maruatona has published a book titled Abstraxtion, a collection of literary summaries. He recently explained to Vibe that an abstract in a literary sense is a summary of a larger text.
“The pieces I wrote are abstracts in both a literary and artistic sense. In this book, I take the reader through the exhibition of my abstracts, hence Abstraxion. This is a word I came up with, and it is as daring as the book itself is,” he said. He further said his context at the time he started writing is what got him to write in the first place. “In 2010, I decided to leave the best job I could ever have in Botswana, as a graduate with Debswana to return to Australia.
I had previously studied my bachelors’ degree in Australia on a Debswana scholarship. I probably had the best job any graduate could have at the time, and I spent it moving from one section of the mine to another until I had covered the entire mining value chain. As you can imagine, it was an amazing opportunity and I was getting paid for it. So to walk away from a gig like that, I had to think deeper about the new Australian opportunity, an industry PhD.
“This is a PhD that one does in collaboration with an industry entity who have a direct interest in the research or the research outcome. My PhD was in collaboration with one of the biggest banks in Australia and involved researching and developing Artificial Intelligence algorithms to be used in the bank’s Internet banking systems for security. So all this overwhelmed me and I felt like I was going insane at some point. I needed an occasional outlet. To reaffirm my sanity, I started writing short pieces, mostly reflecting on my experiences and learnings.
I have always been a keen reader and a conscious consumer of music so as I started to write, my musical, literary and other artistic tastes came together and the product was the unique style of writing and content found in Abstraxion.” Maruatona further noted that he first wrote the book for his sanity and intellectual freedom, and mostly because he loved it. “Over time, I realized my topics were always political, Africanist, philosophical and somewhat activist.
I resolved that if these pieces had to form a book, it had to inform and inspire the reader. I also knew that the book had to be on-point content-wise, style-wise and timewise. I wrote every piece when I had at least an hour to write, most pieces were written in between times, which is why the whole book took the duration of my PhD.
The book includes 45 pieces and I cover a range of topics including the state of Africa, the global economic system, climate change, personal introspection, old African legends and a few homages including one to women, one to my unborn child and another to the people who have enriched my life one way and another.” Maruatona noted that this book is for knowledgists: those who love and seek knowledge. “The book came from deep intellect but the philosophical notions shouldn’t scare the everyday reader. It is a book to be read, shared and discussed.”
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