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Young BNF firebrand dismisses Trade Dispute Act

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The President of Botswana National Front Youth League (BNFYL), Khumoekae Richard has described the Trade Dispute Act as a “dangerous law”. Recently members of Parliament debated a Bill in which teachers and other cadres were classified as Essential Services.

Addressing delegates at the just-ended elective congress of Botswana Teachers Union (BTU) over the weekend, Richard said the intentions of the Bill are evil and the regime wants to take away teachers’ rights to strike. He said the Trade Dispute Act will bring perilous and hazardous effects and that it spells doom for the youth in general. “I am submitting that it will act as transition line between youth unemployment and poverty. The government is both directly and indirectly sabotaging the very same young children she purports to shield,” noted Richard. 

He said when the teachers’ morale is at its lowest ebb, results will reach all time low and those efforts of educating young people will be in vain. “Essential Service classification opposes and defeats the existence of a democratic participative education system. All these efforts will be in vain,” added Richard. He said this move by the government is meant to reduce trade union members.

“This would weaken the humongous strength of public trade unions as it robs them of their valuable membership. Trade unions depend on these government employees as a secret bargaining tool. An angry teacher can’t produce results” he said. When officially opening the congress, President of BTU, Johannes Tshukudu said teaching does not meet the International Labour Organisation standard definition of instruments that categorised it as essential service.

“There are some suggestions from some in the Ministry of Education and government who strongly feel that teachers must have their own Act. We as teacher trade unions are opposed to such thinking,” he said, adding that they rather propose for separate regulations for teachers different from other public servants derived from the same public service Act of 2008 No. 30. “Teachers have been long robbed and we can no longer reverse to Egypt again. We have crossed the Red Sea and we are moving forward,” he said.

Meanwhile, Tshukudu and his camp emerged victorious after taking all positions on offer. Tshukudu was standing against his former deputy, Kenathata Dipogiso who lost with votes of 122 against Tshukudu’s 390. The former Secretary General Gotlaamang Oitsile is now the deputy. The elective congress was held under the theme, “Organising and Empowering Education Workers: A must for the Reconstruction of Botswana Public Quality Education Crisis.”

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KUX DROPS LEFATSHE LENO

Keletso Thobega

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Hip-hop artist Kux has dropped a single dubbed Lefatshe leno, out of his latest EP titled That’s Me. The song is currently on high rotation on local radio stations and notable music platforms. In an interview with Vibe this week, Kuk said that he was pleased with the positive feedback to the song.

Born Kutlwano Kabelo Mokgatla in Selebi-Phikwe, 31-year-old Moshupa native, is also a composer and writer. He started his solo career in 1999. His first solo track, I Kicks It, was recorded by Young Sluggz and produced by Motswako Makaveli. He was still schooling in Johannesburg, South Africa then, and it was during this time that he got to interact with the likes of Zeus, KB and Samba T who he says are still some of his inspirations in the local music industry.

He recorded his second song Huskey with Loso and Lunatic in 2010. Lif Aman, produced by Skywalker Productions, recorded the song at Bazamele Records. In 2012 he put together a mix tape and worked with QBio and Uzzi among others. Last year he linked with GreedySkillz, which resulted in the introduction of long-time producer Lil Boi and signed onto his label Fiendz Music Records. “That is when we decided to fuse and create a dynamic apply named Motswako Palamente,” he recalls. Their track Shots played on Yarona FM for the first time in 2013. In 2014 he worked on a new EP titled L.I.F.E.S.T.Y.L.E ya mrepa.

The first single, Campus, featuring Saxxx, was released online and was downloaded more than a thousand times, and also featured on Yarona FM Hip hop show Headspace. In 2015 he recorded his second single Cough It Up featuring Jinx and Swazi Block. In 2016 he linked with Lanie and recorded and released a cover song titled R.I.C.O. originally done by Drake and Meek Mill, which raised heads for both of them. He later dropped his second mixtape, Phapha, which dropped later that same year. To wrap things up, he dropped BluChampagne. In 2017 he featured on Free, another single off Jinx mixtape. In 2018 he shot the video for BluChampagne and recorded a follow-up single titled CBD later the same year.

He says that he is working on more music individually and also wants to collaborate with local artists such as Apollo and Loosecat among others. He said he chose artists who he admires and has a strong following as this would also give him the vantage to extend into their markets. Kux also said that he is working towards a full studio album. He said he has international appeal and wants to create a brand that will be competitive globally.

“I dream of more than local awards…I aspire to clinch MTV and Grammy awards.” Earlier this year Kux was signed to Exclusive Media, which handles publishing, recording, vocal mixing mastering, recording, brand development, show outsourcing and general management. His management team explained that they are working hard to create a brand out of Kux and subsequently attract endorsements for him.

They said they had collaborated with several youth owned companies to help them build capacity and create seamless solid brands. “Through Exclusive Media, we have also created platforms for young artists, particularly those who are upcoming, to not only show them the ropes but also help them elevate their careers.”

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MARUATONA PUBLISHES ABSTRAXTION BOOK

Keletso Thobega

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Oarabile Omaru Maruatona has published a book titled Abstraxtion, a collection of literary summaries. He recently explained to Vibe that an abstract in a literary sense is a summary of a larger text.

“The pieces I wrote are abstracts in both a literary and artistic sense. In this book, I take the reader through the exhibition of my abstracts, hence Abstraxion. This is a word I came up with, and it is as daring as the book itself is,” he said. He further said his context at the time he started writing is what got him to write in the first place. “In 2010, I decided to leave the best job I could ever have in Botswana, as a graduate with Debswana to return to Australia.

I had previously studied my bachelors’ degree in Australia on a Debswana scholarship. I probably had the best job any graduate could have at the time, and I spent it moving from one section of the mine to another until I had covered the entire mining value chain. As you can imagine, it was an amazing opportunity and I was getting paid for it. So to walk away from a gig like that, I had to think deeper about the new Australian opportunity, an industry PhD.

“This is a PhD that one does in collaboration with an industry entity who have a direct interest in the research or the research outcome. My PhD was in collaboration with one of the biggest banks in Australia and involved researching and developing Artificial Intelligence algorithms to be used in the bank’s Internet banking systems for security. So all this overwhelmed me and I felt like I was going insane at some point. I needed an occasional outlet. To reaffirm my sanity, I started writing short pieces, mostly reflecting on my experiences and learnings.

I have always been a keen reader and a conscious consumer of music so as I started to write, my musical, literary and other artistic tastes came together and the product was the unique style of writing and content found in Abstraxion.”  Maruatona further noted that he first wrote the book for his sanity and intellectual freedom, and mostly because he loved it. “Over time, I realized my topics were always political, Africanist, philosophical and somewhat activist.

I resolved that if these pieces had to form a book, it had to inform and inspire the reader. I also knew that the book had to be on-point content-wise, style-wise and timewise. I wrote every piece when I had at least an hour to write, most pieces were written in between times, which is why the whole book took the duration of my PhD.

The book includes 45 pieces and I cover a range of topics including the state of Africa, the global economic system, climate change, personal introspection, old African legends and a few homages including one to women, one to my unborn child and another to the people who have enriched my life one way and another.” Maruatona noted that this book is for knowledgists: those who love and seek knowledge. “The book came from deep intellect but the philosophical notions shouldn’t scare the everyday reader. It is a book to be read, shared and discussed.”

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